Materials
Cadmium orange and why I stopped using it
A pigment I loved for years — and the moment I realized it was doing more harm than good to the work.
Series journals, material notes, and the thinking behind each body of work.
A pigment I loved for years — and the moment I realized it was doing more harm than good to the work.
What happens when a painting leaves the studio and starts living in someone's home. A conversation about change.
Why some ideas need three canvases, and how working in multiples changes the conversation between the panels.
The substrate isn't neutral. It's the first creative decision. Here's what I've learned about both.
Sometimes a new body of work starts with a single page of handwritten notes. Here's what mine said.
How limiting your tools, palette, and time can open up the work instead of narrowing it.
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